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SPRING 2026
Professor Mary Banas
SMFA at Tufts

Email: When contacting me, use both my Tufts email and my Gmail

Office Hours: Fridays from 12–1pm, on zoom, or by appointment

Make an appointment for office hours:
https://calendar.app.google/fjv8YceUnWXn5AJj8
please book this by 8am on Fridays.

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Syllabus:

01 Description
02 Learning Outcomes
03 Assignments
04 How We Work
05 Studio Culture
Tufts University Policies

Calendar
Readings
Tutorials (how to print!)

Review Boards: Advice

Events
Project Briefs:

Weekly Typography Collection
Alphabet Book
FrankenForm
Design Sings!
Typographic Poster
Sequence

Submit work:

Google Drive


00

Weekly Typography Collection






Weekly Typography Collection:


An ongoing project throughout the semester where you will build a focused collection of typographic examples, documenting and organizing them on Are.na. This collection will help you start to hone your own interests in typographic form and meaning. 


1–Project Description

Throughout this semester, you will develop a practice of looking closely at typography in the world and in archives. Rather than passively scrolling through images, you will actively curate a focused collection that demonstrates your ability to observe, identify, and analyze typographic forms.

Your collection will live on Are.na, a visual research platform where you can gather, organize, and share your findings. By the end of the semester, your channel will serve as a rich resource—both for your own design practice and as evidence of your growing typographic literacy.


2–Choose the Focus of Your Collection

Select ONE of the following collection themes to pursue throughout the semester. Your choice should reflect something you're genuinely curious about:

Historical/Stylistic Collections:

  • Art Deco typography (1920s-1940s posters, advertisements, signage)
  • Psychedelic letterforms (1960s-70s concert posters, album covers)
  • Constructivist typography (Russian avant-garde, 1920s-30s)
  • Victorian ornamental type (19th century advertising, packaging)
  • Swiss International Style (1950s-70s rational, grid-based design)
  • Grunge typography (1990s deconstructed, layered aesthetics)
  • Brutalist web typography (contemporary raw, functional design)

Contextual Collections:

  • Movie title cards (opening credits across different eras or genres)
  • Book cover typography (specific genre: sci-fi, mystery, romance, etc.)
  • Vintage food packaging (cereal boxes, candy wrappers, etc.)
  • Protest sign lettering (historical movements)
  • Hand-painted storefront signs (specific region or time period)
  • Record label typography (Blue Note, Motown, Factory Records, etc.)
  • Magazine mastheads (fashion, news, culture publications)
  • Sports team logos and wordmarks (evolution over time)
  • Public transit signage systems (wayfinding typography)

Technical Collections:

  • Blackletter variations across different countries/eras
  • Script and cursive styles (formal vs. casual)
  • Stencil letterforms (military, shipping, street art)
  • Monospaced typefaces in different contexts
  • Display types with inline details (striped, outlined, shadowed)
  • Condensed vs. extended type families

You may propose your own collection focus if you have a specific interest not listed above. It must be approved by Mary by Week 2.

3–Quantity & Frequency:

  • Add at least 5-7 examples per week to your Are.na channel
  • By the end of the semester, you should have at least 50 examples minimum


4–Quality Standards:

Each item you collect must include:
  1. High-quality image (clear, well-lit, properly cropped)

  2. Source citation including:
    • Where you found it (archive name, website, museum, etc.)
    • Original source if known (designer, publication, date)
    • Direct link to the original source when available

  3. Brief description (2-3 sentences) noting:
    • What drew you to this example
    • Specific typographic qualities you observe (weight, style, spacing, etc.)
    • Historical or cultural context when relevant

5–Approved Sources:

You should primarily collect from legitimate archives and collections, like the following:

Major Typography Archives:

Museum & Library Collections:

Publications:

For Contemporary Work:
  • Designer portfolios and studio websites
  • Other design publications (Print, Baseline magazines)
  • Foundry specimen books and websites

Physical Documentation: You may also photograph typography you encounter in the world (signs, packaging, etc.), these should be:
  • Clearly photographed with good lighting
  • Properly documented with location and date
  • Researched for historical context when possible


6–How to Use Are.na

Setting Up Your Account:

  1. Go to are.na
  2. Sign up for a free account
  3. Choose a username
  4. Complete your profile with your name and a brief bio

Creating Your Collection Channel:

  1. Click the "+" button in the top right corner
  2. Select "New Channel"
  3. Name your channel clearly:
    • Format: "Your Name - Collection Focus"
    • Example: "Sarah Chen - Art Deco Typography" or "Marcus Williams - Movie Title Cards"
  4. Write a channel description explaining your collection focus and goals
  5. Keep your channel Public so it can be viewed and graded

Adding Content to Your Channel:

Method 1: Using the Are.na Extension (Recommended)
  1. Install the Are.na browser extension for Chrome or Firefox
  2. When you find an image online, click the extension icon
  3. Select your collection channel
  4. Add a title and description with source information

Method 2: Manual Upload
  1. Save image to your computer (right-click > Save Image As)
  2. In your Are.na channel, click "Add block"
  3. Select "Upload" and choose your image
  4. Add title, description, and source link

Method 3: Link/Embed
  1. In your channel, click "Add block"
  2. Select "Link" and paste the URL
  3. Are.na will automatically pull in the image and information
  4. Add additional context in the description

Organizing Your Collection:

  • Add descriptive titles to each block
  • Use the description field for your observations and citations
  • Tag related items using connections (link blocks that share qualities)
  • Consider creating sub-channels if your collection develops distinct categories
  • You can drag blocks to reorder them as your thinking evolves

Citation Format:

For each item, include in the description:

Source: [Archive/Website Name]

Original: [Designer Name, Publication/Context, Year]

Link: [Direct URL]

[Your 2-3 sentence observation about the typography]


Example:

Source: Letterform Archive

Original: Herb Lubalin, Avant Garde Magazine logo, 1968

Link: https://letterformarchive.org/...

The interlocking ligatures create a compact, futuristic wordmark that perfectly captured the magazine's progressive spirit. The tight letterspacing and geometric forms reflect the modernist enthusiasm of the late 1960s.



7–Evaluation Criteria:

Your collection will be evaluated on:

Consistency (30%)
  • Regular weekly additions throughout the semester
  • Meeting minimum quantity requirements

Quality of Curation (30%)
  • Thoughtful selection of examples that demonstrate understanding of your chosen focus
  • Clear visual relationships between items
  • Progression of your eye and understanding over time

Documentation (25%)
  • Proper source citations for all items
  • Thoughtful observations in descriptions
  • High-quality images

Visual Literacy (15%)
  • Ability to identify and articulate typographic qualities
  • Understanding of historical/cultural context
  • Development of a critical eye

8–Important Dates

  • Week 1: Assignment introduction, Are.na tutorial

  • Week 2: Collection focus selected and approved; first 5 examples uploaded

  • Week 4: Check-in (should have 15 examples)

  • Week 7: Check-in (should have 30 examples)

  • Week 10: Collection complete (50 examples minimum)

9–Tips for Success

  • Be consistent: Set aside 30-60 minutes each week to add to your collection

  • Go deep, not wide: A focused collection with thoughtful observations is better than a scattered one

  • Follow connections: When you find one great example, look for related work

  • Read the descriptions: Many archives include excellent historical context

  • Save everything: If something catches your eye, save it—you can always remove it later

  • Look for relationships: How do examples relate to each other? What patterns emerge?

  • Be curious: Let your collection guide you toward new discoveries and make a note of what you are curious about

Questions?

Ask questions in class or bring them to office hours.

Share your Are.na channel link in the class Google Doc by Week 2.

© Professor Mary Banas, Fall 2025School of the Museum of Fine Arts at Tufts Universitysmfa.tufts.edu